![]() Vincent Canby from The New York Times considered "Love with All the Trimmings" to be the album's highlight due to its "lush lyricism" among the rest of the soundtrack, he listed "Come Back to Me", "Go to Sleep", "On a Clear Day (You Can See Forever)", and "What Did I Have That I Don't Have" as the album's "four other excellent songs". They also predicted that the soundtrack would be successful on the Billboard charts due to the film's popularity. The staff at Billboard wrote that the strength of the title track, "He Isn't You", and "What Did I Have That I Don't Have" made the soundtrack worth buying. ![]() The soundtrack to On a Clear Day You Can See Forever received generally positive reviews from music critics. Reception Professional ratings Review scores On a Clear Day You Can See Forever was released physically on compact discs on February 5, 2008. The soundtrack was also printed on 8-track cartridges where it was distributed with the same track listing but a revised order. Distributed to the radio stations for airplay, the 7" release featured the reprise version of the song as both the A-side and B-side. Īlthough no songs were released from the soundtrack as singles, the film's title track "On a Clear Day (You Can See Forever)" was distributed as a promotional single by Columbia Records in July 1970. The album itself was executively produced by Wally Gold and arranged and conducted by Nelson Riddle. The album's second song is an orchestral version of " On a Clear Day (You Can See Forever)" as performed by a live chorus. Streisand is credited as the sole singer for "Hurry! It's Lovely Up Here", "Love with All the Trimmings", "Go to Sleep", "He Isn't You", "What Did I Have That I Don't Have", and the reprise version of the title track, while Montand is credited for the standard version of the title track in addition to "Melinda" and "Come Back to Me". ![]() On the album's fourth track, "Melinda", Luiz Bonfá and Maria Toledo are credited as additional lyricists. Lyrics for the album's ten songs were written by Alan Jay Lerner while the music was written by Burton Lane. The songs were recorded by Streisand and co-star Yves Montand on-set at Samuel Goldwyn Studios in West Hollywood, California in early 1970. On a Clear Day You Can See Forever was released on July 1, 1970, through Barbra Streisand's record label, Columbia Records. Nonetheless, On a Clear Day You Can See Forever served as Montand's only charting effort in the United States.īarbra Streisand portraying Daisy Gamble in the film On a Clear Day You Can See Forever. However, her other 1970 soundtrack album, The Owl and the Pussycat, would later take its place as Streisand's lowest-peaking album. Commercially, the soundtrack was once Streisand's lowest-performing entry on the Billboard 200, peaking at number 108 in September 1970. Music critics highlighted the compilation's title track and Streisand's singing ability. The album was reissued on compact disc in 2008. Executively and solely produced by Wally Gold, the album's ten tracks were written by Alan Jay Lerner while the music was written by Burton Lane. No commercial singles were released from the soundtrack, but the reprise version of the title track was released as a promotional single on 7" vinyl by Columbia. It was released by Columbia Records on Jand features singing by Barbra Streisand and Yves Montand, in addition to choral arrangements and live orchestration. ![]() Koch determined that if the film still exists, it's probably in a mislabelled canister.On a Clear Day You Can See Forever is the soundtrack album to the 1970 American film of the same name. Koch asked Streisand and Minnelli's widow if they had remnants of the cut footage, but neither did. Koch conducted a search for the deleted footage in 1994, particularly Nicholson's song, which he wanted to showcase during the AFI tribute to the actor. In addition to all but the briefest of Jack Nicholson's scenes being cut, a musical number sung by him and Streisand, "Who Is There Among Us Who Knows?," was also cut, as well as "Wait Till We're Sixty-Five," a duet between Larry Blyden and Barbra Streisand. According to the 1974 biography "Barbra Streisand: The First Decade", this was originally envisioned as a three-hour "road show" extravaganza, and included many sequences of Daisy's other lives (photos of which were printed in some pre-release promotions), but director Vincente Minnelli and the studio felt it would be too long, especially since musicals had already begun to fail at the box office.
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